The classic golden years of The Sacred Thrash Metal were roughly from 1986 until somewhere around 1992. Tactical Strike will attempt to unearth ALL OF IT, including the peripheral years just before and just after.
Every THRASHDAY (Thursday, no duh) I will unleash both crucial artwork and a choice song from one album, replete with one single picture of 1987 Nike Air Max I high tops, a decision which should explain itself.
Oh or whenever I feel like it.
Thursday, January 27, 2011
POLTERGEIST depression (1989)
Poltergeist, hailing from Augst, Switzerland.
These dudes threw their Thrash scepter into the giant pile of the turn-of-the-decade overload with crunchy precision and totally rad soloing. Their tone has hardly dated, which is always a solid feature, and the vocals do the job: they're not amazing, but they're at the right level and the use of overdubbing and group shouts is liberal. Riffwise, nothing spectacular, but nearly every track has great stretches of varying solos weedling out of their geetars.
Artwork. Well, that basically sums up depression. The little ghost kid (I'm guessing you don't have to pay the Ghostbusters royalties if you're from Switzerland) is so put out, you know? I mean, when he used to haunt that mechanic's garage, they did alright biz. Now it's just a bunch of broken windows and a hairy monster limb floating around getting in your way when you're looking around for a spanner or something. Ghost steals a nice old car, and it conks out on you after you score a haunting date with some ghost girl at the ghost mall. Might as well shoot yourself in the head, again. I've been there, man. We've all been there. Come on, though, Poltergeist, what kind of flung together logo is that? You get the "Parents-Most-Obviously-Didn't-Help" award on that homework.
NUMBER 11
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